Lesson

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Hi guys this tune that i wrote is about pedaling and dampening technique melodies and of course interaction of both hands.
Remeber to play the accompaniment softer than the melody

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Because you're not in an environment where you are playing and keeping your hands in shape.

If you can blow over Cherokee at 300 BPM then you probably don't have to play technical exercises if you don't want to. You can just blow over tunes and work out your hands.

But for a lot of players new to the instrument you can't do that, so then it's important to play scales and other technical exercises and to work up speed.

Not much more to say about that. IMHO :)

This clip shows some simple examples to get a pseudo-salsa piano comping sound on the vibes. I've included a basic idea and a few variations. The last example is more of an exercise or short etude, and a transcript pdf file of that one is attached.

Here's the new Etude for this month: is based on the harmony of Bach C Prelude.
Make sure the melody flows without interruption between bars: pay attention to the pedal.

If you have any question plese contact me on: giovanniperin87@gmail.com or leave a comment.
I'm also available for private lessons with skype or Facetime.

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Aloha Vibesworkshop,

This is my first attempt for a video lesson, via my GoPro Hero aka the entry level gopro.

I have been coming to the vw since 2007 and remember one of the first lessons that tony put up with the vibes in front of the washer and dryer .. Bravo to tony and everyone who continually makes this site a great place to connect..

For the past couple years I have been blessed to get back my career as a vibist. ( had to give up playing due to health and hand problems ).... its a blessing to be back and playing with no pain.

My philosophy is kind of simple. You get better by making things sound good. By playing things well. If you're learning a melody and really trying to play it well, you're getting better. If you're transcribing a solo and making it sound as good as you can, you're getting better. If you're working on a tune and working out a solo, figuring out how to get through the changes, you are getting better.

Tension Resolution (TR) on "Time After Time": One of the improvisational concepts that my students and I were working on this week in my improv classes at Berklee was that of TR. We chose specific tensions for each chord change on the beautiful standard "Time After Time" and improvised based upon the sounding of those tensions along with their resolution to the nearest chord tone. The constant tension and release creates forward motion in the improvised line and can be the basis of rich, melodic phrases.

Hi guys here's my new lesson that will help you understand better how to connect chords using commen tones: basic knowledge of root position and inversion of chords is required.
I wrote this exercize thinking about Bach corales and his way of expressing the melody through melodies: it is important to pay attention to the movement of each note of the chord, considering the harmony not only horizontally but also vertically, as if each of our mallets were a distinct melody line of a four voice choir or a string quartet.