🎵 Play A Great Rhythm Changes In 3 Months – Week 11
Over the past six weeks, we've steadily expanded our rhythm changes vocabulary.
We've explored:
🎵 Play A Great Rhythm Changes In 3 Months – Week 10
Over the past five weeks, we've gradually expanded our rhythm changes vocabulary.
We've explored:
• Guide-tone lines
• Embellished 3rds and 7ths
• Chromatic approaches
• Diminished and bebop scale language
• Chord-tone based improvisation
This week, we begin bringing many of those ideas together.
👉 Chord outlinings, scale motion, and substitute chord changes.
🎵 Play A Great Rhythm Changes In 3 Months – Week 9
Over the past four weeks, we've been steadily building a melodic vocabulary for rhythm changes.
We've explored:
• Guide tones (3rds and 7ths)
• Embellished guide-tone lines
• Chromatic and flat 9 dominant language
• Diminished and bebop scale vocabulary
This week, we shift our focus to another essential improvisational concept:
👉 Using chord tones to build melodic lines.
🎵 Play A Great Rhythm Changes In 3 Months – Week 8
Over the past three weeks, we've gradually expanded our melodic vocabulary.
We started with:
• 3rds and 7ths
• Embellished guide-tone lines
• Chromatic and flat 9 dominant vocabulary
This week, we continue that progression by introducing two of the most recognizable sounds in bebop improvisation:
👉 The diminished scale
👉 The bebop scale
🎵 Play A Great Rhythm Changes In 3 Months – Week 7
Over the past two weeks, we've been developing melodic lines from the inside out.
We started by connecting the 3rds and 7ths, then expanded those guide-tone lines with more melodic movement and common harmonic variations.
This week, we take another major step toward authentic bebop language.
👉 Flat 9 dominant vocabulary.
🎵 Play A Great Rhythm Changes In 3 Months – Week 6
Last week, we introduced one of the most important concepts in jazz improvisation:
👉 Connecting the harmony through the 3rds and 7ths.
Those guide tones gave us a clear picture of the rhythm changes progression while keeping the melodic language relatively simple.
This week, we take the next step.
👉 We're keeping the same guide-tone foundation, but embellishing the lines.
🎵 Play A Great Rhythm Changes In 3 Months – Week 5
Over the first four weeks of this series, we've focused entirely on harmony:
• Learning the form
• Internalizing common voicings
• Exploring different textures
• Developing comping rhythms and syncopation
This week, we shift gears.
👉 We're introducing line exercises.
Just like Week 5 of the blues series, we're beginning with one of the most important concepts in jazz improvisation:
👉 3rds and 7ths.
🎵 Play A Great Rhythm Changes In 3 Months – Week 4
Over the first three weeks of this series, we've built a solid foundation:
• Learning the form
• Internalizing common voicings
• Introducing basic comping rhythms
• Developing a feel for the harmonic movement of rhythm changes
This week, we take another step forward.
👉 We're introducing more syncopated comping rhythms.
🎵 Play A Great Rhythm Changes In 3 Months – Week 3
Over the first two weeks of this series, we've focused on building a harmonic foundation:
• Learning the form
• Internalizing common voicings
• Hearing the movement of the harmony
• Developing familiarity with rhythm changes
The rhythm was intentionally simple so all of our attention could be placed on the chords.
This week, that changes.
👉 We're introducing comping rhythms.
Many of the voicings in this lesson will already be familiar from Weeks 1 and 2. That's by design.
🎵 Play A Great Rhythm Changes In 3 Months – Week 2
Last week, we focused on learning the form and internalizing a set of common rhythm changes voicings. The rhythm was intentionally simple so all of our attention could be placed on the harmony.
This week, we're continuing that approach.
👉 The focus is still harmony, not rhythm.
The written rhythm remains simple because we're trying to build a larger vocabulary of voicings before we start introducing rhythmic comping concepts.