Practice: diatonic/chromatic passing tones and anticipation notes
I've been spending a little time each day with Ed's book 1. The early info on passing tones is great. I figured for accountability's sake, I would just record a short segment of my practice this morning...
Clearly one of MY biggest issues as I work on becoming an improviser is creating pleasing melodies and lines that have a momentum to them - and that are interesting to listen to. The great players make this look so easy, right? In fact, almost everyone ELSE I listen to makes it look easy. haha.