Tritone Triad Exercises (more) Pt. 2 by Behn Gillece -V
Check out the attached PDF!
Check out the attached PDF!
I got this idea from Ed Saindon, but I use the term a little differently now. "Dampening effects," to me, are different sounds you can produce while dampening. This includes deadstrokes, half-dampening, and dampening speed.
Check out the attached PDF!
Check out the attached PDF!
In Part 7, we combine two essential approaches to line construction: scale-based motion and chord outlining. These exercises move through ii–V progressions in descending whole steps, blending linear scale passages with clear chord-tone targets to create lines that sound both melodic and harmonically grounded.
In Part 9, we take harmonic implication a step further by incorporating enclosures and chromatic passing tones into our line construction. Applied here to the chord progression of Minority by Gigi Gryce, this exercise demonstrates how carefully placed chromatic notes can add tension, sophistication, and forward motion while still clearly outlining the harmony.
Check out the attached PDF!
Check out the attached PDF!
Check out the attached PDF!
Interesting Open Voicings Pt. 2 by Behn Gillece