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Play a Great Blues in 3 Months - Week 7 by Behn Gillece

🚨 Play a Great Blues in 3 Months – Week 7

Over the past couple of weeks, we’ve been working with phrases drawn from Milt Jackson’s vocabulary, building full choruses from short melodic ideas.

This week, we continue that approach—but with a specific focus:

👉 Using augmented triads over dominant chords

You’ll notice that certain moments in the chorus highlight the sound of the augmented triad (1–3–#5), giving the lines a bit more tension and forward motion.

Beginner's Series - Soloing Through The Changes Pt. 3 by Behn Gillece

🚨 Soloing Through the Changes Pt. 3 – Diatonic 7th Chord Outlinings on “Minority”

In Part 3, we take our soloing a step further by outlining each chord using full 7th chord arpeggios, adding more shape and melodic possibility to our lines. Still working with Minority, this lesson is about expanding from guide tones to complete harmonic outlines—while keeping strong voice leading in mind.

New Solo Vibraphone Piece!!

This is a solo vibe piece Tony Miceli commissioned me to write for him. Let me know what you guys think! These are the program notes I wrote for the piece:

This piece was written in April of 2024 upon commission from Tony Miceli, professor at Temple University in Philadelphia, Pennsylvania. While taking private lessons with him, we began experimenting with timbral effects on the vibraphone, and one of my assignments was to write a solo vibraphone piece surrounding this idea. Thus, this piece was born.

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