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I played really simple. It should be fairly easy to transcribe.

Hello all,

Here's another lesson on dampening, and specifically how it can be used to achieve a certain stride-like feel on vibes. I use this technique when playing solo and with a trio and love its possibilities for different articulations and textures. Watch my lessons on staccato and partial dampening first if you haven't already seen them.

If you haven't heard about this book, check this out. 

There is a lineage of books here, a tree. 

It all starts with Zen and Art or Archery, goes to 'The Inner Game of Tennis' (great great book to read)

Goes to, 'Zen and Art or Motorcycle Maintenance'

'Effortless Mastery' I think comes from this tree of books. They are all great and Kenny's book is great. 

This will take a little explaining. 

First we had a zoom meeting with microphone designer Ron Oswanski. He used to work for Amt microphones and is now out on his own and has made a beautiful vibe microphone so I had him come and talk about it.

That's the easy part to explain the hard part is what happens next. If you don't know what Google Notebook LM is you need to check it out it's mind blowing. 

Here is a lesson with an etude. I use the tune Green Dolphin Street and I play a chordal solo. There's very little that monophonic here. I tried to hit always with 2,3 or 4 mallets. 

I played a few choruses of Green Dolphin Street and transcibed it. 

I also talk about little bit about this series. I will continue it by doing a video for each of the technical ways I am doing this. 

Check out the transcription below.

The Art and Science of Musical Practice

Here's a second part to the other lesson titled "A Way To Practice Soloing and Comping Together".  
I took a couple other examples about how to practice this. Ultimately, you just do it and try to make music. I know for some of you it won't sound great in the beginning. I always think that if you keep doing it and doing it, eventually you play something good and recognize it and learn from it. Know what I mean???? 

I talk a bit about studying chords and voicings. We all have to do it, how are you going to do it?