8 Weeks of Ballads - Sentimental Mood - Skating
So here's the deal.
I wrote an etude of all eighth notes. It's important for us to be able to weave through the changes, up and down and up and down. It's important for us to move the line in seconds. We do it much more easily with 3rds, but 2nds is where the magic happens.
- If you're going to do this right, write in the changes and study the lines.
- Play the etude down.
- Memorize the etude completely.
- Throw away the music.
- Play the etude in other keys.
- Smile at how much you've learned
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IM - Borrowing From Each Hand by Behn Gillece
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TOTM - Black Orpheus - Harmony
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I Think This is a Great Lesson
Attached is a PDF. I think these types of exercises are invaluable. However they take a lot of time in the beginning and get easier towards the end. But you are a changed musician at the end.
Put the chords in (it's All the Things You Are). Analyze it a little bit.
Play it and memorize it.
Put it through all the keys, from memory. This is the very very important part. Eventually the melodies will be in your head and you will go to the right notes. You'll then see alterations in other keys, you'll be training your ears. I did so much of all this, back in the day!
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Friedman Etude No. 9 by Josh Frimet
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TOTM - Introduction - There Is No Greater Love - The Melody
TOTM - Flamenco Sketches - Part 1
Correction - Think of the D mixlydian phrygian chord as a D triad with an Eb.
Attached is an example of how to play The chord part of Flamenco Sketches on the vibes.
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For Marie
Marie, this is for you. It's easier to read this then to read what's in the real book.
Remember if this is overwhelming try to just go one bar at a time. And remember..... No pressure!
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Friedman Etude No. 3 by DrummerDave
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