Hi all,
The first of a few technique lessons I will be doing, this is on the grip I use, and why I think it is the best one.
In this video we apply the melodic structures into a basic Im-bVI-IIm7b5-V7alt minor cadence using the proper cell for each chord:
m7: 1-b3-4-5
Maj7: 1-2-3-5
m7b5: 1-b3-4-b5
dom7: 1-b9-3-5 or 1-b9-3-#5 or 1-#9-3-#5
In this video we apply the melodic structures into a basic I-Vim-IIm-V7 cadence using the proper cell for each chord: remember
1-2-3-5 in Major
1-b3-4-5 in minor
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Hi Vibes Lovers in this lesson I talk about a powerful tool that I got from Gerry Bergonzi called melodic structures.
Those are motivic cell used for creating melodies:
1-2-3-5 in Major
1-b3-4-5 in minor
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Like usual, get the melody down. Know it well and play it well. Think about phrasing, rhythm and time!
Demonstration of David Friedman Etude number 8 with a focus on mallet muting.
Here are three, two five, one progressions.
Good voice leading for the most part is lazy voice leading. That means:
With that in mind you figure this puzzle out. I'll attach the answers, but don't look until you're tried this out!
Here is the challenge:
Took a little longer getting this all together than anticipated due to holidays and work, but felt I was at a point I could post this stuff and keep on going.
The goal of this round was to put a solo take of Blue Bossa together. Things I worked on with Tony to get here are:
Rootless minor chords - 3,7,9,11 in all keys https://youtu.be/w-GSikYfuGk
Rootless Maj 2-5-1 progression on vibes min9, Dominant13(b9), Maj9 https://youtu.be/BrFjBZM7CQk
In this video I'll cover the basic soloing techniques you'll for getting started with jazz standards.
1)Tonality: play around the tonal area
2)Chord tones and passing tones
3)Scale solo
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In this video I'll cover the basic of comping technique.
It's a refined art that takes years to be developed. It's almost impossible to learn how to comp alone in your practice room: play with other people is the key for learning how to support a soloist properly.
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