Smudge by Dan McCarthy
- Read more about Smudge by Dan McCarthy
- 11 comments
- Log in or register to post comments
Check out Ed's lead sheet for Day's Gone By
Here's Ed's Lead Sheet
(We've been talking about Theo Milkov on the site. Here is his teacher performing. - tony miceli)
Here is a little piece of music(see attachment) from a theater show I'm doing n Januari. This is a short introuction to the third part of the show. I thought this would be a good exercise for sticking.
A lot of guys are always asking: "What sticking should I use?" The thing with sticking is that you can always do it in a lot of ways.
Bars, resonators and their tuning.
Base of the vibes' sound ofcourse are the bars, and in a huge amount the (tuning of) the resonators.
I'll try to explain in the next article how to tune the bars, how to tune the resonators, and how to get the best benefit from the resonators.
Bars.
It is widely know that vibe bars have their fundamental tuned, and the first overtone to a double octave.
All about the bars
Real simple. Pick something. Play it and record it listen back and do it over and over for an hour or so.
Record then listen to it. Just keep the cycle going and don't interrupt the cycle.
Real simple real easy. Maybe a head to a tune? maybe a solo? Maybe a written out piece.
Play and record it. Sit and listen to it back immediately and then play and record it again and do this over and over.
Pretty cool original composition by the vibist from Berkeley High School Jazz Ensemble.