Ed Talks About Playing Duo on Easy Living
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[Ed will be posting here shortly!!]
I recently got an even bigger cimbalom!
Not to fond of this performance, it was so shaky, but hope yous enjoy it anyway.
This tune is called Cimbalmos. It's a compilation of folk tunes from around Eastern Europe, originally performed by the cimbalom player in Besh O Drom.
I just found this on Youtube. Had no Idea it was recorded. This was a gig I did in Israel about 3 or 4 years ago. It was a tribute to a wonderful Israeli jazz composer, Stu Hacohen, who had died several years ago. Check out Theodosil Spassov on Kaval, a bulgarian flute he's made famous. It was basically a jam with a short rehearsal to check out a couple of heads. It's totally raw but everybody had a great time playing together.
This concert was taped in early August. The video seems a little fuzzy, but the audio is pretty clear. The tune is a lot of fun to play, and seems to be a lesser known one of Kenny Baron. We discovered it in a collection of his music we found in the public library!
Comping for piano can be tricky since the pianist is already comping with their left hand. I try to stay out of the way and just punctuate with some voicings and single line stuff.
Here's a clip of Joe and I playing my original composition Hope. Joe plays a beautiful solo introduction on it as well as great lines over the Gb drone. Here's a copy of the lead sheet in case anyone wants to follow along: http://www.edsaindon.com/documents/hope.pdf
"Cyclic Episode"- by Sam Rivers
Joe Doubleday- Vibraphone
Hoo Younghoo Kim- Bass
Angelo Spampinato- Drums
With Bloque 53 playing Strangers in Paradise near Barcelona, last friday.
Hello guys, here's another clip from the Berklee recital Joe and I played. This is a clip of us playing the Beatle's Blackbird. We played it with an AAB form. Joe came up with a lead sheet that includes some specific rhythmic chord hits. Joe's changes at the bridge include some subtle reharm variations. Check out Joe's solo. A beautiful example of a melodic solo that builds in intensity. Instead of playing over the form, we each played over a specific chord progression as shown on the lead sheet. Hope you enjoy it.