all-levels

Hi guys, here's another clip from this past Sunday's session with Mark Carlsen on bass. We're doing Jobim's classic Wave.

Here's a new clip that we just recorded in my home studio this past Sunday. Mark and I have been playing duo gigs for awhile now. He came over to hang and play some tunes. Playing duo with upright bass is a lot of fun.

it is necesary any comment?

yes! come back to my practice room! and do not leave until......

http://www.youtube.com/watch?v=XmMWnQcXDIs&feature=related

Another memorable day for a memorable guy, Lionel Hampton who's birthday occurs today. What an amazing guy, he put the vibraphone on the map.

http://youtu.be/R_rTICMVXQQ

John

Hi everyone, here's a clip from a recent concert performing my composition Hope. The lead sheet can be downloaded from my website. Here's the link: http://www.edsaindon.com/documents/hope.pdf

Vic Firth just finished editing this clip. The playing was taped at Berklee in one of the percussion department studios and the interview was taped at the VF office. The tunes that I'm playing in the clip are Black Orpheus and Somewhere Over the Rainbow on vibes and Ain't Misbehavin' and St. Thomas on marimba.

When I think Rhythm Changes, I instantly think Parker. Here are some videos of Bird over the form. Note his contrasts. He does an amazing job of switching from harmonic generalization (Bb triad or blues material) to harmonic specificity (hitting chord tones of the changes). Also, as always, his phrasing is fresh and unpredictable. With Rhythm Changes everyone is chasing the bird.

Guys, here's a version of Ellington's Take The A Train. A Train is one of those tunes that can sound cheesey if you play too diatonic and "in". The changes are fairly diatonic, so if you just play chord tones and diatonic scales, it will sound pretty in. There are some techniques that we can use to venture out of the tonal area of the changes. Here are some ideas:

Improv techniques to get out of the key:

Leaning on chromatic approach notes to target notes (G# to A on C6)
Leaning on tensions (especially altered tensions on Dom 7 chords)

Guys, here's a version of Jobim's Wave from the Berklee fundraiser concert that we did on 3/30/12. It features Matt Marvuglio on flute along with Nori Shiota on bass and Jazz Robertson on drums. Nori and Jazz are students at the school. I thought they both did a great job on the concert.

Doing some simple reharm doing my solo and comping for Matt's solo. Substitute Dom 7 chords, Dim Maj 7 in place of Maj 7, some constant structure chords, symmetrical diminished voicings, etc. The symmetrical diminished scale is also good for playing shapes when soloing.

Ed