You'd Be So Nice to Come Home To - Solo Vibraphone Techniques
Cole Porter's "You'd Be So Nice to Come Home To" with solo vibraphone techniques via Gary Burton. In working on the solo vibraphone book during my sabbatical, I revisited some of the techniques and concepts that I learned from Gary. A few are: filling in the 8th notes between the melody/improv with left hand voicings (left hand jabs), single notes, broken arpeggios and/or counterpoint. (Gary does this a lot in his solo versions of Jobim's Chega de Saudade and O Grande Amor). Also the use of runs and arpeggios to break things up a bit.
Experimenting With Different Chord Inversions Pt. 3 by Behn Gillece
Experimenting With Different Chord Inversions Pt. 2 by Behn Gillece
Ballads - Playing and Talking
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Experimenting With Different Chord Inversions Pt. 1 by Behn Gillece
Coltrane's "Moment's Notice" - Lines with RH octaves
2 Minute Vibraphone Masterclass - playing lines over Coltrane's "Moment's Notice" with right hand octaves.
#thecompleteguidetoimprovisation
#voicingconceptsforthejazzvibists
Working With Harmonic Minor Modes Pt. 4 by Behn Gillece
Working With Harmonic Minor Modes Pt. 3 by Behn Gillece
Keith Jarrett Koln Etude
Hi everyone! Here is an etude that I wrote inspired by part one of the Keith Jarrett Koln Concert. I've been using this as a fun way to work on coordination and dynamics between the 4 mallets. Hope you enjoy and let me know what you all think!
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