"Blues with a Shuffle Feel" - Some experimentation tonight with a left hand "boogie woogie" pattern on a blues.
Hey Vibes Workshop,
My name is Steve Roehm. I'm a vibist out of Minneapolis, Minnesota.
I get to play solo vibraphone at the MSP International Airport every week.
So here's a rendition of "Gee Baby Ain't I Good to You" before everything shut down.
Hope you dig it.
Here are the informations to step 5 of our DIY bar production.
Please go to
http://wyndorps.de/E_index.htm
and follow Step 5.
In this post I am focussing on milling of the bar.
It's the most famous "pop" song every written so I had to do it.
Here are the informations to step 4 of our DIY bar production.
Please go to
http://wyndorps.de/E_index.htm
and follow Step 4.
In this post I am focussing on our material selection.
"I'll Remember April" - a little shedding in the basement studio after a full day of teaching online. The past two days of teaching have been great. Everyone called in at the designated time and we were off and running. Especially amazing since they were calling from all over the world (Hong Kong, Columbia, Portugal, Paris,...) Wonderful seeing all of the students and seeing how they are doing with everything that's been happening. We covered a lot of material and I think the rest of the semester will be very productive.
Here are the informations to step 3 of our DIY bar production.
Please go to
http://wyndorps.de/E_index.htm
and follow Step 3.
In this post I am focussing on the detailed bar geometry. Now we are getting the bar into the sound spectrum.
Here are the informations to step 2 of our DIY bar production.
Please go to
http://wyndorps.de/E_index.htm
and follow Step 2.
In this post I am focussing on the bar macro geometry, because it has a big influence on sound and frame.
What do you think about the idea to create an about 10% lighter bar set using the same width graduation as M55 or Omega instead of keeping the bar width constant on a minimum of 1.5" for youth vibraphones?
