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Hal Garper Master Class

Todd posted this on Facebook and I thought it was pretty interesting. I think that the basic premise of you play what you hear is so true that it's close to a "duh!", but putting it into practice can be difficult.

When I play, I often feel like I'm three different people simultaneously competing for dominance. There's a panicked animal that's just trying to keep his place and not screw up. There's this analytical guy saying, "OK, V7 coming up, diminished or altered scale?". And then there's this touchy-feely guy who's trying to guide the whole thing and make art.

Two Great Examples of Playing Solo

Check out these 2 versions of playing solo! Very interesting to me because they are very very different in there approach. Ted's is always a laid back approach and he has some great dampening technique down that he uses quite effortlessly. Patrice is a great classical player that does a great job crossing over into jazz. He's got some serious chops happening and his approach is really great.

I dug so much listening to both these guys back to back. They're both really worth studying and listening and watching.

Great stuff guys!