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If you are busting ass on rhythm changes but need a little break, here is something to clear the head with. This, however, can be applied to rhythm changes.

Watch the video first, then read further...

I didn't discuss it in the video but check it out....

for the A section, using the same major triad shape (1-3-4-5) here are the triads (all major triads)

Bbmaj- G7- Cm- F7- (repeat)
C triad- Eb triad- Bb triad- Db triad--------

Fm- Bb7- Ebmaj- Ebm- Bbmaj
Eb triad- F# triad- F triad- Bb triad-C triad

Some tips on simple soloing over rhythm changes.

Some ideas on what to think about when comping underneath the melody.

Here's pt. 1 of comping. Keep it simple and tasty!

Further ideas about playing over a minor IV to I resolution in jazz.
-Tyler

Pick the right melody, it doesn't have to be hard!

Check out this etude. Study the chords and write in the names with the alterations. Then play the etude. It will get you moving around and weaving through the changes. Work up the speed a little bit, and transposing in one other key will go along way.

The etude PDF is attached.

So I am in Texas visiting my folks, which means I don't have a vibe with me. I used to get really bummed about this. Having to spend a week or so away from my instrument. I have since come to look at it as a forced "put yourself in a box" situation. I still have a keyboard here, so I can practice music, and it forces me to practice specific things. This week I decided to focus on comping/ voicings/ and learning tunes in other keys through the "vehicle" of chords/ voicings. I found this article (for a guitar magazine as you can tell by the tab) by my old professor.

Here's my last lesson before I start a bunch of lessons on rhythm changes. Sorry, my loop skipped once or twice during this, but I was only like a second, so I kept it.