Member

Guys, this was recorded from a concert we did in Gloucester, MA this past Friday. The band features Matt Marvuglio on flute, Nori Shiota on bass and Jazz Robertson on drums. Nori and Jazz are Berklee students and Matt is the Dean of the Performance Division. The idea was to get a group together featuring faculty and students. Matt called me to see if I would be interested and I said sure. It was for a great cause. The concert was the first concert of a 10 concert series in Gloucester that is raising money for a scholarship fund at the school. We had a fun night with a sold out crowd.

Intersting article from the Ecomists on the struggle to keep classical music alive. Good or bad, I don't know, but worth some thought.

See http://www.economist.com/blogs/prospero/2012/03/classical-music.

Tom P.

Been using the malletkat for a new project of mine. Here's a short clip from a new tune entitled "Cogs."
This music will be recorded soon and the CD should be out by the end of the year. I'm running the Kat through a Nord Electro rack module, in case anyone was wondering...

-Tyler

Just blowin' on a blues of mine entitled "Hemming and Hawing"
This is from a gig I did out in LA a couple years ago.
-Tyler

Just thought I'd post this.

Earl Scruggs died today. He was the Charlie Parker of the banjo. He was one heavy guy. I got to see him play once when I was a little kid. Way before I even played music. RIP, Earl

Hey,
This is a lesson of how you can use classical improvisation to practise technique (mainly scales).Oh, When I say "I think you will love this lesson" I mean "I hope you find this lesson helpfull".

Thanks
Dimitris

Hey everyone,
I was just thinking/talking about phrasing and how many notes one can fit into a phrase.
I always remember teachers and mentors telling me to play fewer notes when I was in school, however I would listen to them play and there would be 4 million notes in a single measure. What i've learned since that time is that they should have told me to concentrate on phrasing. To Me, phrasing is the difference between an enjoyable and engaging solo/composition and an un-enjoyable one.